Chapter 18: The Forcing of the Trap

The position wherein I stood does not appear very favourable to thought; yet for the next moment or two I thought profoundly. I had, I told myself, scored one point. Be Rupert Hentzau’s errand what it might, and the villainy he was engaged on what it would, I had scored one point. He was on the other side of the moat from the King, and it would be by no fault of mine if ever he set foot on the same side again. I had three left to deal with: two on guard and De Gautet in his bed. Ah, if I had the keys! I would have risked everything and attacked Detchard and Bersonin before their friends could join them. But I was powerless. I must wait till the coming of my friends enticed someone to cross the bridge--someone with the keys. And I waited, as it seemed, for half an hour, really for about five minutes, before the next act in the rapid drama began.

All was still on the other side. The duke’s room remained inscrutable behind its shutters. The light burnt steadily in Madame de Mauban’s window. Then I heard the faintest, faintest sound: it came from behind the door which led to the drawbridge on the other side of the moat. It but just reached my ear, yet I could not be mistaken as to what it was. It was made by a key being turned very carefully and slowly. Who was turning it? And of what room was it the key? There leapt before my eyes the picture of young Rupert, with the key in one hand, his sword in the other, and an evil smile on his face. But I did not know what door it was, nor on which of his favourite pursuits young Rupert was spending the hours of that night.

I was soon to be enlightened, for the next moment--before my friends could be near the chateau door--before Johann the keeper would have thought to nerve himself for his task--there was a sudden crash from the room with the lighted window. It sounded as though someone had flung down a lamp; and the window went dark and black. At the same instant a cry rang out, shrill in the night: “Help, help! Michael, help!” and was followed by a shriek of utter terror.

I was tingling in every nerve. I stood on the topmost step, clinging to the threshold of the gate with my right hand and holding my sword in my left. Suddenly I perceived that the gateway was broader than the bridge; there was a dark corner on the opposite side where a man could stand. I darted across and stood there. Thus placed, I commanded the path, and no man could pass between the chateau and the old Castle till he had tried conclusions with me.

There was another shriek. Then a door was flung open and clanged against the wall, and I heard the handle of a door savagely twisted.

“Open the door! In God’s name, what’s the matter?” cried a voice--the voice of Black Michael himself.

He was answered by the very words I had written in my letter.

“Help, Michael--Hentzau!”

A fierce oath rang out from the duke, and with a loud thud he threw himself against the door. At the same moment I heard a window above my head open, and a voice cried: “What’s the matter?” and I heard a man’s hasty footsteps. I grasped my sword. If De Gautet came my way, the Six would be less by one more.

Then I heard the clash of crossed swords and a tramp of feet and--I cannot tell the thing so quickly as it happened, for all seemed to come at once. There was an angry cry from madame’s room, the cry of a wounded man; the window was flung open; young Rupert stood there sword in hand. He turned his back, and I saw his body go forward to the lunge.

“Ah, Johann, there’s one for you! Come on, Michael!”

Johann was there, then--come to the rescue of the duke! How would he open the door for me? For I feared that Rupert had slain him.

“Help!” cried the duke’s voice, faint and husky.

I heard a step on the stairs above me; and I heard a stir down to my left, in the direction of the King’s cell. But, before anything happened on my side of the moat, I saw five or six men round young Rupert in the embrasure of madame’s window. Three or four times he lunged with incomparable dash and dexterity. For an instant they fell back, leaving a ring round him. He leapt on the parapet of the window, laughing as he leapt, and waving his sword in his hand. He was drunk with blood, and he laughed again wildly as he flung himself headlong into the moat.

What became of him then? I did not see: for as he leapt, De Gautet’s lean face looked out through the door by me, and, without a second’s hesitation, I struck at him with all the strength God had given me, and he fell dead in the doorway without a word or a groan. I dropped on my knees by him. Where were the keys? I found myself muttering: “The keys, man, the keys?” as though he had been yet alive and could listen; and when I could not find them, I--God forgive me!--I believe I struck a dead man’s face.

At last I had them. There were but three. Seizing the largest, I felt the lock of the door that led to the cell. I fitted in the key. It was right. The lock turned. I drew the door close behind me and locked it as noiselessly as I could, putting the key in my pocket.

I found myself at the top of a flight of steep stone stairs. An oil lamp burnt dimly in the bracket. I took it down and held it in my hand; and I stood and listened.

“What in the devil can it be?” I heard a voice say.

It came from behind a door that faced me at the bottom of the stairs.

And another answered:

“Shall we kill him?”

I strained to hear the answer, and could have sobbed with relief when Detchard’s voice came grating and cold:

“Wait a bit. There’ll be trouble if we strike too soon.”

There was a moment’s silence. Then I heard the bolt of the door cautiously drawn back. Instantly I put out the light I held, replacing the lamp in the bracket.