A Daughter of To-day
Copyright© 2011 by Sara Jeannette Duncan
Chapter 12
It was Arthur Rattray who generally did the art criticism for the Decade, and when a temporary indisposition interfered between Mr. Rattray and this duty early in May, he had acquired so much respect for Elfrida's opinion in artistic matters, and so much good-will toward her personally, that he wrote and asked her to undertake it for him with considerable pleasure. This respect and regard had dawned upon him gradually, from various sources, in spite of the fact that the Latin Quarter article had not been a particular success. That, to do Miss Bell justice, as Mr. Rattray said in mentioning the matter to the editor-in-chief, was not so much the fault of the article as the fault of their public. Miss Bell wrote the graphic naked truth about the Latin Quarter. Even after Rattray had sent her copy back to be amended for the third time, she did not seem able to realize that their public wouldn't stand unions libres when not served up with a moral purpose—that no artistic apology for them would do. In the end, therefore, Rattray was obliged to mutilate the article himself, and to neutralize it here and there. He was justified in taking the trouble, for it was matter they wanted, on account of some expensive drawings of the locality that had been in hand a long time. Even then the editor-in-chief had grumbled at its "tone," though the wrath of the editor-in-chief was nothing to Miss Bell's. Mr. Rattray could not remember ever having had before a conversation with a contributor which approached in liveliness or interest the one he sustained with Miss Bell the day after her copy appeared. If he imparted some ideas of expediency, he received some of obligation to artistic truth, which he henceforth associated with Elfrida's expressive eyes and what he called her foreign accent. On the whole, therefore, the conversation was agreeable, and it left him with the impression that Miss Bell, under proper guidance, could very possibly do some fresh unconventional work for the Age. Freshness and unconventionality for the Age was what Mr. Rattray sought as they seek the jewel in the serpent's head in the far East. He talked to the editor-in-chief about it, mentioning the increasing lot of things concerning women that had to be touched, which only a woman could treat "from the inside," and the editor-in-chief agreed sulkily, because experience told him it was best to agree with Mr. Rattray, that Miss Bell should be taken on the staff on trial, at two pounds a week. "But the paper doesn't want a female Zola," he growled; "you can tell her that." Rattray did not tell her precisely that, but he explained the situation so that she quite understood it, the next afternoon when he called to talk the matter over with her. He could not ask her to come to the office to discuss it, he said, they were so full up, they had really no place to receive a lady. And he apologized for his hat, which was not a silk one, in the uncertain way of a man who has heard of the proprieties in these things. She made him tea with her samovar, and she talked to him about Parisian journalism and the Parisian stage in a way that made her a further discovery to him; and his mind, hitherto wholly devoted to the service of the Illustrated Age, received an impetus in a new direction. When he had gone Elfrida laughed a little, silently, thinking first of this, for it was quite plain to her. Then, contrasting what the Age wanted her to write with her ideal of journalistic literature, she stated to Buddha that it was "worse than panade." "But it means two pounds a week, Buddha," she said; "fifty francs! Do you understand that? It means that we shall be able to stay here, in the world—that I shall not be obliged to take you to Sparta. You don't know, Buddha, how you would loathe Sparta! But understand, it is at that price that we are going to despise ourselves for a while—not for the two pounds!"
And next day she was sent to report a distribution of diplomas to graduating nurses by the Princess of Wales.
Buddha was not an adequate confidant. Elfrida found him capable of absorbing her emotions indefinitely, but his still smile was not always responsive enough, so she made a little feast, and asked Golightly Ticke to tea, the Sunday after the Saturday that made her a salaried member of the London press. Golightly's felicitations were sincere and spasmodically sympathetic, but he found it impossible to conceal the fact that of late the world had not smiled equally upon him. In spite of the dramatic fervor with which the part of James Jones, a solicitor's clerk, had been rendered every evening, the piece at the Princess's had to come to an unprofitable close, the theatre had been leased to an American company, Phyllis had gone to the provinces, and Mr. Ticke's abilities were at the service of chance. By the time he had reached his second cigarette he was so sunk in cynicism that Elfrida applied herself delicately to discover these facts. Golightly made an elaborate effort to put her off. He threw his head back in his chair and watched the faint rings of his cigarette curling into indistinguishability against the ceiling, and said he was only the dust that blew about the narrow streets of the world, and why should she care to know which way the wind took him! Lighting his third, he said, as bitterly as that engrossment would permit him, that the sooner—puff—it was over—puff—the sooner—puff—to sleep; and when the lighting was quite satisfactorily accomplished he laughed harshly. "I shall think," said Elfrida earnestly, "if you do not tell me how things are with you, since they are bad, that you are not a true Bohemian—that you have scruples."
"You know better—at least I hope you do—than to charge me with that," Golightly returned, with an inflection full of reproachful meaning. "I—I drank myself to sleep last night, Miss Bell. When the candle flickered out I thought that it was all over—curious sensation. This morning," he added, looking through his half-closed eyelashes with sardonic stage effect, "I wished it had been."
"Tell me," Elfrida insisted gently; and looking attentively at his long, thin fingers Mr. Ticke then told her. He told her tersely, it did not take long; and in the end he doubled up his hand and pulled a crumpled cuff down over it. "To me," he said, "a thing like that represents the worst of it. When I look at that I feel capable of crime. I don't know whether you'll understand, but the consideration of what my finer self suffers through sordidness of this sort sometimes makes me think that to rob a bank would be an act of virtue."
"I understand," said Elfrida.
"Washerwomen as a class are callous. I suppose the alkalies they use finally penetrate to their souls. I said to mine last Thursday, 'But I must be clean, Mrs. Binkley!' and the creature replied, 'I don't see at all, Mr. Ticks' —she has an odious habit of calling me Mr. Ticks—'why you shouldn't go dirty occasional.' She seemed to think she had made a joke!"
"They live to be paid," Elfrida said, with hard philosophy, and then she questioned him delicately about his play. Could she induce him to show it to her, some day? Her opinion was worth nothing really—oh no, absolutely nothing—but it would be a pleasure if Golightly were sure he didn't mind.
Golightly found a difficulty in selecting phrases repressive enough to be artistic, in which to tell her that he would be delighted.
When Mr. Ticke came in that evening he found upon his dressing-table a thick square envelope addressed to him in Elfrida's suggestive hand. With his fingers and thumb he immediately detected a round hardness in one corner, and he took some pains to open the letter so that nothing should fall out. He postponed the pleasure of reading it until he had carefully extracted the two ten-shilling pieces, divested them of their bits of tissue-paper, and put them in his waistcoat pocket. Then he held the letter nearer to the candle and read: "I have thought about this for a whole hour. You must believe, please, that it is no vulgar impulse. I acknowledge it to be a very serious liberty, and in taking it I rely upon not having misinterpreted the scope of the freedom which exists between us. In Bohemia—our country—one may share one's luck with a friend, n'est ce pas? I will not ask to be forgiven."
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